FILM WRITING


CURRENT WRITING


  • Jones writes his own personal works of film criticism via Substack.

    Learn More

  • Jones also serves as a Contributor for Art Seen ATL — “covering music, film, photography, festivals, and all sorts of creative outlets in the city of Atlanta (and beyond)”

    Learn More

FEATURES + CRITICISM

“Getting The Band Back Together”: Moonshine Post’s Journey to Bring ‘Idiots’ to the Big Screen

Art Seen ATL, 2026

Counting Down the Best Movies of 2024

Daily Mississippian, 2025

‘Megalopolis’ is the best and worst movie of the year

Daily Mississippian, 2024

‘Anora’ is a masterful Cinderella story gone sour

Daily Mississippian, 2024

‘The Substance’ is one of the more en(gross)ing films this year

Daily Mississippian, 2024

Donald Trump biopic ‘The Apprentice’ falls short

Daily Mississippian, 2024

‘Civil War’ brings all-too-real chaos to the silver screen

Daily Mississippian, 2024

What are the top 10 movies of 2023?

Daily Mississippian, 2023

‘The Killer’ aims to thrill

Daily Mississippian, 2023

Why ‘Bottoms’ is the top movie of 2023

Daily Mississippian, 2023

“Disfluency”: An Acclaimed Drama premiering in Oxford

Daily Mississippian, 2022

‘Beau Is Afraid’ must be seen to be believed

Daily Mississippian, 2023

“The Neutral Ground” comes to Oxford

Daily Mississippian, 2022

94th Oscar Nominations Announced

Hotty Toddy News, 2022

We bought a shoe: the relevance of ‘Air’

Daily Mississippian, 2023

Oxford Film Festival showcases rare MLK documentary

Daily Mississippian, 2022

Oxford welcomes filmmaker Kate Tsang with “Marvelous and the Black Hole”

Daily Mississippian, 2021

“Dungeons and Dragons” gets the big screen treatment

Daily Mississippian, 2023

Hispanic Heritage Month film series showcases power of world cinema

Daily Mississippian, 2022

Oxford Film Festival: coming to theaters near you

Daily Mississippian, 2023

Women behind the lens: recent film recommendations

Daily Mississippian, 2023

Catch us if you Cannes: UM students study abroad

Daily Mississippian, 2022

Critic turned documentarian Elvis Mitchell discusses ‘Is That Black Enough for You?!?’

Daily Mississippian, 2023

‘Below the Belt’ spotlights a modern health crisis

Daily Mississippian, 2023

“I Love Boosters” Closes Out 50th ATLFF With a Bang

Art Seen ATL, 2026

‘Ratatouille’ 15th anniversary: a generational classic

Daily Mississippian, 2022

How Mississippi became the perfect action movie locale

Daily Mississippian, 2022

OxFilm enters 20th year with new leadership

Daily Mississippian, 2023

The Endurance Of “The Spectacular Now” With Director James Ponsoldt

Art Seen ATL, 2026

The haunting resonance of ‘Till’

Daily Mississippian, 2022

VIDEO ESSAYS

ESSAYS

Visions of the Self/Society through the Silver Screen (Award-Winner)

UM Cinema Studies Contest, 2022

Andrei Tarkovsky Career Retrospective — Video Essay

UM Intro to Theatre Film & Dance, 2021

The Individual vs. The Cosmos in The Dark Side of the Moon

UM Honors 101, 2022

SOCIAL MEDIA

  • Jones has written film criticism on Instagram (@film_fanatic44) since 2017, sharing reviews on new releases, classic films and annual best-of lists.

    Learn More

  • Jones also writes consistently via Letterboxd (@film_fanatic44). Here, you can see his complete film diary.

    Learn More